Hi again. As usual, I'm taking advantage of my vacation time to create new material.
This time, I'm honoring a request that many friends have sent to me: The bassline for Stevie Wonder's "Sir Duke". I know the song from long ago, but never played it before. Very cool and fun line! I had a great time transcribing and learning it. I want to take a minute to talk about a couple decisions I made before recording:
1. The instrument: Basically, I wanted a passive bass for this and that's why I didn't use the Bongos or the Steinberger. My wish was to use the Peavey T-40 for this, but it needs a fret leveling in the high register (which is definitely needed here). So, the Rickenbacker was the chosen one because of that.
2. Detuning: There are some points in this line in which a low D# can be heard as a quick passing note. I don't see the point of detuning just the E string for playing a note that can barely be heard (again, a passing note), so I guess the bass that Nathan Watts used for this recording was tuned (low to high) D# - G# - C# - F#. Can't confirm that, but anyway I decided to follow my guess, so that's why you'll see that I'm playing the song in C major but it sounds in the original key of B major. Playing it that way, it becomes very evident (for the player) that the open A and D strings were also used to play quick passing notes. But a minor problem appeared, since the Rickenbacker 4003 has 20 frets: The unison line with the horn section reaches a high D#, which wouldn't be a problem if the bass were in standard tuning (that's precisely the highest note that can be found on a 20-fret fingerboard). But having it detuned, an extra fret is needed to get that note, so I had to bend the G string to sound a semitone above the pitch at the 20th fret. Nothing difficult, but anyway an example of why I'm not a fan of fingerboards with less than 24 frets (playing 4- and 5-string basses exclusively, as in my case).
At the end of the video, you'll see the bass-horns riff played at 75% and 50% of the actual speed. Hope this new release will help whoever wants to play this cool song but doesn't know where to start. Stay tuned to my blog for the transcription:
http://alvabasstuff.blogspot.com/
Thanks for watching! :=)
P.S.: Sorry for the constant light reflex on the bass' upper horn. Only noticed it after the video was done.
Maybe I should add that the tempo on that recording varies a lot, so I opted not to put any tempo marks in the transcription. Hope you find it useful. :=)
Sir Duke Bass Line)
Amazing work in your blog! Thank you very much!
ReplyDeleteI was trying open this score, but says thats it's private.
Thank you for your comment! Regardless of being set as private, Scribd documents have a "print" option. Doesn't it work for you?
ReplyDeleteDoesn't work for me either. Cannot even access the document on Scribd because owner has "marked private."
ReplyDeleteStill, great job and I appreciate the work you put into this!
Excellent job. This is a monumental bassline and your transcription and video are both excellent. Thank you very much for your passion and detail !!
ReplyDeleteNice job.
ReplyDeletethe original recording is in B flat. Then they sped up the tape because they wanted it faster. If you think about it, when does a horn section ever play in B (never) and when do they play in B flat (all the time).
The Ricky sounds great, wish I had one.
The sheet music link is a dead end.
Can not access it either,set to private
ReplyDelete